![]() In addition, the "lower" types of montage are limited to the complexity of meaning which they can communicate, and as the montage rises in complexity, so will the meaning it is able to communicate (primal emotions to intellectual ideals). ![]() These varieties of montage build one upon the other so the "higher" forms also include the approaches of the "simpler" varieties. Although Soviet filmmakers in the 1920s disagreed about how exactly to view montage, Sergei Eisenstein marked a note of accord in "A Dialectic Approach to Film Form" as "the nerve of cinema", and "to determine the nature of montage is to solve the specific problem of cinema".ģ The Explanation While several Soviet filmmakers, such as Lev Kuleshov, Dziga Vertov, and Vsevolod Pudovkin put forth explanations of what constitutes the montage effect, Eisenstein's view that "montage is an idea that arises from the collision of independent shots" wherein "each sequential element is perceived not next to the other, but on top of the other" has become most widely accepted.Ĥ Vsevolod Pudovkin Pudovkin is one of the most famous and important of the Soviet Montage filmmaker.ĥ Eisenstein’s Methods Eisenstein describes five methods of montage in his introductory essay "Word and Image". ![]() Presentation on theme: "VV 301 – FILM STUDIES SOVIET MONTAGE."- Presentation transcript:Ģ Definition Soviet montage theory is an approach to understanding and creating cinema that relies heavily on editing (montage is French for "build, organize"). ![]()
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |